These are from a visual language last week investigating line quality (20 x 4 different approaches to line- circles, zig-zags, squares and lines)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGw9fNPUyeNVA7jQoe_SYw32uUirYDhttA69MQ0U6v3gMrfj83qqZXyJPSzS9F51zuYFl9YltrxcLlo9TYAaQr5G21Ge6yagK2PGChArwBQyTBiGejZzKY1IqSskUQlchE2ipU637IWkg/s320/fullsizeoutput_cf.jpeg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAiBk-gaK-sZQfCkAV5MyLFvFqCRPEotTPb7iq3R4_0Dv_zgwLL2T6qmMvvE86OAMH0mit6sYXKjZYZu7FLM38jVDwa8GbGGBMzBwBQj65MLb7IOlwguMtGxJvr0PjrHkJtLtuL3vErkk/s320/fullsizeoutput_cc.jpeg)
The task made me think about different approaches to line- how you use the tool is as important a very important part of how you draw- which is something I need to explore more- how you apply pressure, speed, way you hold it etc.- which impacts how wiggly the line is, the weight of the line, and what movement it has.
Looking at the tests now- I think that I could have concentrated on these factors more than 'how I move my arm' side of drawing.
Strangely, I quite like the composition of some these tests- especially the line and zig-zag ones.
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