Tuesday, 17 October 2017

Studio Brief 1: Idea Pictures

For this project I wanted to work entirely handmade (not digital) and set myself the target of having clearer communication of ideas. One of the set of finals were produced though photocopying. I found that the colour photocopier doesn't produce as interesting quality images as the black and white (the two degrade the image in different ways). I think this approach; while teaching me how to work an idea through fully through analogue processes also taught me how useful digital processes are; and with more time (especially on the miners and factory ones) I think these could have been much stronger. After finishing I thought I'd just give it a go digitally. This was fairly simple of just scanning in the components, adjusting levels and arranging them. I think the square and landscape work better this way. I think the landscape one lacks something - maybe detail on the figures, more general detail. I also think I cleaned it up too much - and it looks too digital

 I felt the first two ideas came quite easily - and I was happy with them (mine shaft and factory). For a long while I didn't know what to do for the third. I did some drawings of miners that I liked (and was considering for the mine - but thought it would be too detailed). Ben said these could be used for the landscape - I agreed - goes with themes of unions, fraternity etc. and almost says as much as the other two. I think the fact that I had to work harder on the miner (landscape) composition means that in the end I think its better; in contrast, I think I didn’t push the factory (square) idea as far as the concept came to me fairly fully formed, so therefore I didn’t concentrate on the composition further than the image itself.

The thumbnail process was good; I feel like I usually push idea creation quite far, but the target of 60 meant I pushed it further than I normally would - and therefore created more interesting ideas than I otherwise would have.

I didn't feel like I had a good enough understanding and I was into the project and George Orwell himself at this stage to do the kind of work I wanted to (more abstract, less obvious) and therefore it feels quite different to the kind of work I usually make; which is not necessarily not a bad thing.


Tuesday, 3 October 2017

Studio Brief 1: Zine

I enjoyed the brief as a way to get ideas out and get the ball rolling without the pressure of making a finely crafted ‘final’. I decided to go for a fairly rough and ready approach (which sits my way of working)- especially using photocopying and collage (two things I wished I had used more last year). Mostly I was drawing off imagery from reading ‘Homage to Catalonia’. I felt that some of the images didn’t really have any meaning (just playing with collage and assemblage). This emphasised that it is impossible to communicate if ideas and themes aren’t clarified in my own mind. Also I think it could have been improved by being entirely photocopied.